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A lone woman, clad in a pristine biohazard suit, grips a paintbrush amidst a chaotic, hyperrealistic rendering of a decaying food processing plant; mountains of decaying chicken carcasses, glistening entrails, and filth surround her, a single spotlight illuminating her grim determination. Her gaze is fixed on the offal, a nascent idea forming—to contact a cleaning product manufacturer for help. The gritty, documentary-style emphasizes the stark contrast between sterile suit and gruesome surroundings.