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Early-1900s Italian villa garden, cinematic hyperrealism, ultra high resolution.

SUBJECT (center):
A distinguished man (Gabriele D’Annunzio) stands on manicured green grass, torso angled 20° left, slight smile, eyes toward the dogs. Dark formal overcoat to mid-thigh, crisp white shirt and tie visible at collar, brown flat cap, black leather gloves, polished black shoes. Arms open at chest height (elbows ~90°), palms slightly up as if greeting the pack.

DOGS — exact count: 11 (positions given left→right, foreground/midground/background):
1) Far-left edge, foreground: tall white dog with tan head, mouth slightly open, body facing right toward the man, tail up.
2) Left-foreground, slightly behind #1: small black dog, short glossy coat, standing still, head tilted up.
3) Left-midground: white dog with large brown patches, long feathery tail, front paws lifted looking up.
4) Left-midground (in front of #3): short tri-color (white/brown/black) spaniel-type, hindquarters low, about to jump, ears flared.
5) Left-center: slim tan/black sighthound, back arched, forepaws lifted, neck stretched upward.
6) Center cluster, front: tri-color dog looking up, ears perked, chest forward.
7) Center cluster, behind #6: white dog with small brown patches, head thrown back mid-bark.
8) Immediate right of center: tall slender white dog on hind legs, front paws resting gently on the man’s chest; long tail down; attentive gaze to his face.
9) Right-foreground: brown/white medium dog, body angled left, watching the interaction.
10) Right edge, foreground: small white dog with brown mask and brown patch on rump (Jack-Russell type), standing profile facing left, tail relaxed.
11) Background far-left lawn: distant slim white/tan sighthound walking away toward deep garden.

ARCHITECTURE & GARDEN:
Behind the man: two monumental carved stone urns on pedestals (one left, one right), classical garland reliefs. Left urn overflows with arching palm fronds; right urn bare with vine-wrapped stem. Dense, manicured dark-green hedges behind; tall conifers at far left. To the right: villa façade in warm beige stucco, tall window with blue wooden shutters half-open; shallow wall shadow falls diagonally down-left. Grass is short, velvety, with subtle mower lines and occasional dew sparkle.

LIGHTING & COLOR:
Late-afternoon golden light from camera-left at ~35° elevation; soft, long shadows falling to the right; gentle highlight roll-off on coats and urns. Natural color grading: deep greens, warm stone beiges, slate-blue shutters, lifelike skin tones; micro-contrast in fur; no color cast.

CAMERA & RENDERING:
ARRI Alexa 65 look, 35mm lens equivalent, eye-level framing slightly below head height; aspect ratio 16:9; focus on the man and dogs #6–#9, background softly defocused (bokeh circular, unobtrusive). f/2.8 look, 1/200s, ISO ~400; crisp detail on fabric weave, leather glove sheen, individual dog whiskers; subtle film grain; no motion blur, no halos, no plastic skin.

迅速的

Early-1900s Italian villa garden, cinematic hyperrealism, ultra high resolution. SUBJECT (center): A distinguished man (Gabriele D’Annunzio) stands on manicured green grass, torso angled 20° left, slight smile, eyes toward the dogs. Dark formal overcoat to mid-thigh, crisp white shirt and tie visible at collar, brown flat cap, black leather gloves, polished black shoes. Arms open at chest height (elbows ~90°), palms slightly up as if greeting the pack. DOGS — exact count: 11 (positions given left→right, foreground/midground/background): 1) Far-left edge, foreground: tall white dog with tan head, mouth slightly open, body facing right toward the man, tail up. 2) Left-foreground, slightly behind #1: small black dog, short glossy coat, standing still, head tilted up. 3) Left-midground: white dog with large brown patches, long feathery tail, front paws lifted looking up. 4) Left-midground (in front of #3): short tri-color (white/brown/black) spaniel-type, hindquarters low, about to jump, ears flared. 5) Left-center: slim tan/black sighthound, back arched, forepaws lifted, neck stretched upward. 6) Center cluster, front: tri-color dog looking up, ears perked, chest forward. 7) Center cluster, behind #6: white dog with small brown patches, head thrown back mid-bark. 8) Immediate right of center: tall slender white dog on hind legs, front paws resting gently on the man’s chest; long tail down; attentive gaze to his face. 9) Right-foreground: brown/white medium dog, body angled left, watching the interaction. 10) Right edge, foreground: small white dog with brown mask and brown patch on rump (Jack-Russell type), standing profile facing left, tail relaxed. 11) Background far-left lawn: distant slim white/tan sighthound walking away toward deep garden. ARCHITECTURE & GARDEN: Behind the man: two monumental carved stone urns on pedestals (one left, one right), classical garland reliefs. Left urn overflows with arching palm fronds; right urn bare with vine-wrapped stem. Dense, manicured dark-green hedges behind; tall conifers at far left. To the right: villa façade in warm beige stucco, tall window with blue wooden shutters half-open; shallow wall shadow falls diagonally down-left. Grass is short, velvety, with subtle mower lines and occasional dew sparkle. LIGHTING & COLOR: Late-afternoon golden light from camera-left at ~35° elevation; soft, long shadows falling to the right; gentle highlight roll-off on coats and urns. Natural color grading: deep greens, warm stone beiges, slate-blue shutters, lifelike skin tones; micro-contrast in fur; no color cast. CAMERA & RENDERING: ARRI Alexa 65 look, 35mm lens equivalent, eye-level framing slightly below head height; aspect ratio 16:9; focus on the man and dogs #6–#9, background softly defocused (bokeh circular, unobtrusive). f/2.8 look, 1/200s, ISO ~400; crisp detail on fabric weave, leather glove sheen, individual dog whiskers; subtle film grain; no motion blur, no halos, no plastic skin.

方面

1392 x 752

種子

3078673784